Volume : 6, Issue : 4, April - 2017

?R?N?R?YANAVIJAYA? OF K. B?LAR?MA PA?IKAR

Ms. Archana Gamit

Abstract :

<p>&nbsp;<span style="font-size:12.0pt;line-height:115%;&#10;font-family:&quot;Times New Roman&quot;,serif;mso-fareast-font-family:Calii;mso-fareast-theme-font:&#10;minor-latin;mso-ansi-language:EN-US;mso-fareast-language:EN-US;mso-bidi-language:&#10;GU">The creative genius in Sanskrit has always shown a predilection for the poetic form or <i>padyarūpa</i> of kāvya. Most of our Sanskrit poets prefer to compose poetry instead of prose though <i>Gadyam Nikaṣām Vadanti</i> is accepted as a dictum. I understand that the <i>padya</i> form of composition has special attractive force for, it contains marvelous beauty, the metrical unity and the rhythmic style, all of which combindly create an inexpressible sense of sweetness loaded with sublime aesthetic rapture.</span></p>